Pure Potential or a Pristine Problem? Pantone's Snowy Colour of the Year Sparks Backlash.
For those who has spent a long time living in rental properties, staring at the same standard-issue beige walls and longing for adding some actual personality to their home, Pantone's latest Colour of the Year might be perceived as a personal attack.
This year, the influential color company has designated a shade of white as its flagship hue.
To be precise, the shade is called Cloud Dancer – a white characterized as "lofty" and "airy" which "functions as a emblem of calming influence in a society rediscovering the worth of stillness".
It marks the first time a pure white has been picked as the Colour of the Year, and it has generated significant controversy.
As stated by Pantone, Cloud Dancer "transcends mere pigment, it's a state of being" and signifies a widespread yearning to slow down, recalibrate and find calm after years of sensory saturation.
But some critics have labelled the decision as "out of touch", arguing that promoting sparse and immaculate white spaces can feel far removed from the smaller, lived-in homes everyday individuals occupy.
Additional critics argue that positioning white as an ideal carries subtext related to race, creating unease amid current political and cultural conversations about inclusion and diversity.
Sterile or Serene?
Designer Chris Beaumont says the criticism goes beyond surface appeal, noting that white bears cultural undertones and is seldom a innocuous choice.
"White is a signal," he says, influenced by a decade of sparse star homes – most notably Kim Kardashian's stripped-back home – that came to epitomize "wealth, order and removal from disorder".
He clarifies that white is "not about inspiration but taking care not to cause upset", with Cloud Dancer embodying "restraint, virtuous simplicity and the idea that neutrality equals goodness".
Beaumont references the global health crisis as a pivotal moment in how people relate to their homes.
"Suddenly they became our offices, refuges and sources of stability," he says, adding that against this backdrop, directing the Colour of the Year towards "further aesthetic barrenness feels rather out of step".
Instead of providing calm, he believes white now risks heightening "a sense of desolation", especially when combined with cool, clinical lighting.
'A Clinical Atmosphere
An interior designer, a Surrey based interior designer, agrees and says Cloud Dancer "is not perceived as a colour" and is "completely rejected for me".
Although it may suit extremely sparse or architectural spaces, she says bright whites rarely create calm in real homes.
"An image of tranquility in a professional photo can readily seem clinical at home," she explains.
"White can feel stark and unforgiving and you wouldn't wish your home to give clinical feelings."
She continues that "homes should spark joy and feel inviting and lived-in, and this shade seems quite distant from that."
Beaumont hopes that homeowners will reject the Pantone Colour of the Year in preference for "full-scale joyful interior design", using vibrant hues to express personality.
The vice president of the Pantone Colour Institute commented that people "have varied interpretations" to the significance of the colour, but it was selected as it "integrates perfectly with everything around it, providing a refined neutrality that feels intentional and adaptable".
Beginning in 2000, Pantone's Colour of the Year has become a powerful industry signal.
Previous selections have featured the optimism of a vibrant pink-orange, the serene assurance of Classic Blue, the vibrancy of a bold pink-red, and most recently softer, emotionally driven tones like Peach Fuzz.
These hues extend beyond trend forecasts - they show up in clothing lines, beauty launches, home decor, product wrapping and even technology, shaping how products are sold and how consumers envision the coming year.
A style and trend expert, says Cloud Dancer is a "elegant choice" and while it may seem basic, "this particular shade seems soft and elegant rather than stark".
In contrast to those who say the colour is boring, the expert sees it as "adaptable" and says it's best used in "sleeping quarters and living areas where you want a peaceful, calming atmosphere".
"Should you prefer not to redecorate, you can incorporate the colour into a room with cushions, throws and curtains."
Design expert Another professional says although he was surprised that Pantone's pick this year was "fundamentally the lack of pigment", it is a bit like vanilla ice cream, in that "everyone likes it but it's nobody's favourite".
He can see its benefits, explaining that white can work especially effectively as a backdrop for design features like panelling and curved entries which is a "growing trend in contemporary houses".
In apparel, white has long been a staple rather than a bold declaration and as a Colour of the Year it poses a unique test to designers more accustomed to bold shades.
Luxury stylist Oriona Robb says elevating white seems "less about novelty and more concerned with purpose", indicating a movement towards refinement after years of fad saturation.
"The color white compels designers and those who wear it alike to concentrate on shape, scale and quality, there's really no room for error," she clarifies.
But she continues that it also carries presumptions around self-image, way of life and privilege, stating: "When white is treated as something only a narrow group of people can pull off, it becomes divisive."
She says the industry is already cognizant of the problematic connotations tied to celebrating white as an ideal, especially amid ongoing conversations about inclusion and approachability, and the true challenge will be whether "brands address that nuance authentically, or simply aestheticise the colour".
A Cultural Mood, Not a Trend
Style consultant Katie Malik concedes the choice at first surprised her, given Pantone's track record of bold colours, but says it mirrors a authentic change and aligns with a broader sentiment of "quiet luxury